“Once when I was spending the night at Jacque’s, I could no longer restrain my curiosity about her body, which she’d always hidden from me and which I’d never seen. I asked her whether, as proof of our friendship, we could touch each other’s breasts. Jacque refused. I also had a terrible desire to kiss her, which I did. Every time I see a female nude, such as the Venus in my art history book, I go into ecstasy. Sometimes I find them so exquisite I have to struggle to hold back my tears. If only I had a girlfriend!”—Anne Frank (via shootingstarsarefallingangels)
Would Nyong’o be on Hollywood’s radar at all if not for her discovery by Steve McQueen, an Afro-British director of Trinidadian and Grenadian descent? To be more blunt: Would an American director have felt comfortable casting a woman of Nyong’o’s hue as the leading lady of a major Hollywood film? A quick look back at film history and a discussion with an expert on skin color in American culture indicates that this is unlikely.
For starters, there has never been a black actress of Nyong’o’s ebony skin tone to ascend to Hollywood A-list status. And among those black actresses who have succeeded in Hollywood with deeper skin tones, like Grace Jones, they have not been positioned as leading ladies or, more specifically, objects of affection. Those roles have been concentrated among fairer actresses and those with more traditionally Eurocentric features, including Dorothy Dandridge, Lena Horne, Diahann Carroll, Pam Grier, Shari Belafonte, Rae Dawn Chong, Cynda Williams, Halle Berry, Rosario Dawson, Thandie Newton, Zoe Saldana, Rashida Jones and Paula Patton—a number of whom also identify as biracial or multiracial. On the small screen, at least, Gabrielle Union and Kerry Washington have enjoyed recent breakthroughs, but while neither woman is fair-skinned, they might not always be described as dark, either.
Had an American been at the helm of 12 Years a Slave, it seems unlikely that Nyong’o or someone who looks like her would have been cast.
Writer Keli Goff at The Root states, “If Afro-Brit Steve McQueen hadn’t made the Oscar-nominated film, a lighter-skinned actress might have been cast in the role of Patsey.”
“The power of a glance has been so much abused in love stories, that it has come to be disbelieved in. Few people dare now to say that two beings have fallen in love because they have looked at each other. Yet it is in this way that love begins, and in this way only.”—Victor Hugo, Les Misérables (via beautifullitteraryquotes)
“Black women have had to develop a larger vision of our society than perhaps any other group. They have had to understand white men, white women, and black men. And they have had to understand themselves. When black women win victories, it is a boost for virtually every segment of society.”— Angela Davis, activist, author, educator
The power structure had successfully created the image of the American Negro as someone with no confidence, no militancy. And they had done this by giving him images of heroes that weren’t truly militant or confident. And now here comes Cassius, the exact contrast of everything that was representative of the Negro image. He said he was the greatest, all of the odds were against him, he upset the odds makers, he won. He came victorious, he became the champ.
They knew that if people began to identify with Cassius, and the type of image he was creating, they were going have trouble out of these Negroes because they’d have Negroes walking around the streets saying “I’m the greatest.”
“There is no coming to consciousness without pain. People will do anything, no matter how absurd, in order to avoid facing their own soul. One does not become enlightened by imagining figures of light, but by making the darkness conscious.”—Carl Jung (via psych-facts)